No 38 -2022

JOHN ANDREW and THERESA NGUYEN
The Meadow Centrepiece

MARK DENNIS
The Doyle Cups: a Biography in Silver

ROBIN JACKSON
The Silversmithing Work of the German Expressionist Artist Hermann Gross in Scotland

LAURENCE JOYCE and WYNYARD WILKISON
Alexander Johston, Goldsmith of Dundee and London

ELSABETH ALICIA DIKKES
The Life of a Silver Spoon: a Curious Piece of Washington Silver

ROGER ROSEWELL
Silver and Stained Glass

JOHN CULME
The Duke of Sussex’s Wine Cistern: a Mystery Solved

REBECCA HARVEY and KIMBERLEY CAMERON
“For better, for worse”: Louis Osman and Canons Ashby, Northamptonshire, 1968-1980

ANDREW PAUL WOOD
History in Silver: What Three Silver Centrepieces from Evolution of New Zealand Taste and Identity.

LUKE DELMAS and LUKE SCHRAGER
Private Die-Struck Heraldic Flatware 1780-1900

EMILIA FERRARO, SANDRA WILSON and KATHARINA VONES
Metalwork in the Andes and Japan: a Comparative Study

VANESSA BRETT
A Bank Account for Simon Pantin I

ADRIAN MALDONADO and SARAH ROTHWELL
Experiment, Experience and Enchant: Knowledge Sharing Between Museums and Contemporary Practitioners

BRUNO E J S WERZ and JOHN M A VAN CAUTEREN
Kunstwerkplaatsen Esser a Dutch Silver and Goldsmiths’ Workshop: 1838-2018

KIRSTIN KENNEDY
Silver from Spanish America at the V&A

JAMES ROTHWELL
The Silver Society Visit to Oxford

PHILIP WOOD
Nigel Bumphrey (1928-2018)

THE SILVER SOCIETY PRIZE FOR SILVERSMITHING 2022

BOOK REVIEWS

David C Owens, Burmese Silver Art: Masterpieces lluminating Buddhist, Hindu and Mythological Stories of Purpose and Wisdom

Michele Bimbenet-Privat, Florian Doux and Catherine Gougeon, Orfevrerie de la Renaissance et des Temps Modernes – XV/e, XV//e et XV///e Siecles – la Collection du Musee du Louvre

Timothy Schroder and Dora Thornton (Editors): A Clock Salt